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		<title>Sony Xdcam Ex Workflow made easier with Cinemon-OMV1</title>
		<link>http://www.hd-productions.biz/wp/sony-xdcam-ex-workflow-made-easier-with-cinemon-omv1/</link>
		<comments>http://www.hd-productions.biz/wp/sony-xdcam-ex-workflow-made-easier-with-cinemon-omv1/#comments</comments>
		<pubDate>Thu, 10 Jun 2010 15:40:48 +0000</pubDate>
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		<description><![CDATA[



 


Sony engineers have created  a software plug-in called Cinemon-OMV1 to speed up and simplify workflow requirements for Final Cut Pro users, Omneon servers and Sony XDCAM camcorders.
Giving the benefits of a native MXF workflow environment and provides post production efficiencies in both time and cost.
Final Cut Pro users have some what been miffed [...]]]></description>
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<dl class="wp-caption alignleft" style="width: 138px;">
<dt class="wp-caption-dt"><a href="http://en.wikipedia.org/wiki/File:Final_Cut_Pro.png"><img title="Final Cut Pro" src="http://upload.wikimedia.org/wikipedia/en/4/43/Final_Cut_Pro.png" alt="Final Cut Pro" width="128" height="128" /></a></dt>
<p> <a href="http://en.wikipedia.org/wiki/File:Final_Cut_Pro.png"></a></dl>
</div>
</div>
<p>Sony engineers have created  a software plug-in called Cinemon-OMV1 to speed up and simplify workflow requirements for Final Cut Pro users, Omneon servers and Sony XDCAM camcorders.</p>
<p>Giving the benefits of a native MXF workflow environment and provides post production efficiencies in both time and cost.</p>
<p>Final Cut Pro users have some what been miffed by the Xdcam Ex workflow that is quicker in both Adobe Premiere and Grass Valley Edius users.</p>
<p>They don&#8217;t need to bother with transcoding, unwrapping or the need for another application to load up first then transfer in, whilst there is a native FCP log and transfer plug-in not dependent on the Sony Xdcam transfer software.</p>
<p>You still have to wait for the transcode to sort itself out and if you have copied native BPAV folders, then you create material that takes up more disk space, as you have to create a copy unlike with tape or XDcam HD you can leave your material with the original source media and copy once across and not need double up on disk space.</p>
<p>JVC with their Xdcam format cameras both the<a title="JVC GY-HM100" href="http://pro.jvc.com/prof/attributes/features.jsp?model_id=MDL101845" target="_blank"> GY-<em>HM100</em></a> and <a title="JVC HM700" href="http://pro.jvc.com/prof/attributes/features.jsp?model_id=MDL101851" target="_blank">GY-<em>HM700</em></a> got it right the first time by recording into Xdcam codec quicktime files, that can the easily be edited straight into the timeline. No transcoding or messing round with a cumbersome workflow.</p>
<p>Workflow illustration from Sony Cinemon site:</p>
<div id="attachment_712" class="wp-caption alignnone" style="width: 310px"><a href="http://pro.sony.com/bbsc/ssr/cat-datastorage/resource.solutions.bbsccms-assets-cat-datastorage-solutions-cinemon.shtml#workflow"><img src="http://www.hd-productions.biz/wp/wp-content/uploads/2010/06/cinemon_diagram2-300x171.jpg" alt="Sony Xdcam Cinemon Final Cut Pro  Plugin Workflow Diagram" title="Final Cut Pro Cinemon Plugin Workflow Diagram" width="300" height="171" class="size-medium wp-image-712" /></a><p class="wp-caption-text">Cinemon Plugin for FCP Xdcam Workflow</p></div>
<p>FCP users benefit of the Cinemon plug-in include:</p>
<li>High-performance plugin is transparent</li>
<li>Directly access files from FCP</li>
<li>Additional training not required</li>
<li>Supports edit-while-ingest</li>
<li>Supports multiple formats</li>
<li>Render via XDCAM Export Tool</li>
<li>Smart rendering available via API</li>
<p>Cinemon-OMV1 allows native editing of the following formats in a Final Cut Pro timeline:</p>
<p>Sony  XDcam Formats:</p>
<p>XDCAM Proxy*<br />
XDCAM HD 18,25,35,50Mbps &#8211; 60i/50i/23.98p/25p/29.97p<br />
XDCAM HD 720 50p/60p<br />
XDCAM EX 25, 35 Mbps &#8211; 60i/50i/23.98p/25p/29.97p<br />
XDCAM DVCAM<br />
XDCAM IMX<br />
Files exported via XDCAM Transfer Tool<br />
Smart Render Option and API for XDCAM HD formats</p>
<p>Other info:<br />
Supported Operating Systems &amp; Software</p>
<li> Mac OS 10.4 or Mac OS 10.5</li>
<li> Apple Final Cut Pro 6.0.6</li>
<li> 7.0 (7.0 is required for edit-while-ingest on Omneon)</li>
<li> QuickTime 7.6.2</li>
<li> XDCAM Transfer v2.9.0 or later</li>
<p>Minimum Hardware Specifications:</p>
<li>Intel 1.83 GHz Core 2 Duo</li>
<li>2 GB of RAM</li>
<li>GPU: Proxy Only &#8211; Intel 950 or greater</li>
<li>18, 25, 35, 50 Mbps &#8211; same GPU requirements as FCP</li>
<p>See below for more information about Cinemon &#8211; OMV1  trial download and pricing.<br />
<a href="http://bit.ly/EX1madeEZ">http://bit.ly/EX1madeEZ</a></p>
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<form id="vozme_form_9c343d282dc4a6eae2017d41a315aca9" method="post" name="vozme_form_9c343d282dc4a6eae2017d41a315aca9" target="9c343d282dc4a6eae2017d41a315aca9" action="http://vozme.com/text2voice.php"><input name="text" type="hidden" value="Sony Xdcam Ex Workflow made easier with Cinemon-OMV1.. 



 


Sony engineers have created  a software plug-in called Cinemon-OMV1 to speed up and simplify workflow requirements for Final Cut Pro users, Omneon servers and Sony XDCAM camcorders.
Giving the benefits of a native MXF workflow environment and provides post production efficiencies in both time and cost.
Final Cut Pro users have some what been miffed by the Xdcam Ex workflow that is quicker in both Adobe Premiere and Grass Valley Edius users.
They don&#8217;t need to bother with transcoding, unwrapping or the need for another application to load up first then transfer in, whilst there is a native FCP log and transfer plug-in not dependent on the Sony Xdcam transfer software.
You still have to wait for the transcode to sort itself out and if you have copied native BPAV folders, then you create material that takes up more disk space, as you have to create a copy unlike with tape or XDcam HD you can leave your material with the original source media and copy once across and not need double up on disk space.
JVC with their Xdcam format cameras both the GY-HM100 and GY-HM700 got it right the first time by recording into Xdcam codec quicktime files, that can the easily be edited straight into the timeline. No transcoding or messing round with a cumbersome workflow.
Workflow illustration from Sony Cinemon site:
[/caption]
FCP users benefit of the Cinemon plug-in include:
High-performance plugin is transparent
Directly access files from FCP
Additional training not required
Supports edit-while-ingest
Supports multiple formats
Render via XDCAM Export Tool
Smart rendering available via API
Cinemon-OMV1 allows native editing of the following formats in a Final Cut Pro timeline:
Sony  XDcam Formats:
XDCAM Proxy*
XDCAM HD 18,25,35,50Mbps &#8211; 60i/50i/23.98p/25p/29.97p
XDCAM HD 720 50p/60p
XDCAM EX 25, 35 Mbps &#8211; 60i/50i/23.98p/25p/29.97p
XDCAM DVCAM
XDCAM IMX
Files exported via XDCAM Transfer Tool
Smart Render Option and API for XDCAM HD formats
Other info:
Supported Operating Systems &amp; Software
 Mac OS 10.4 or Mac OS 10.5
 Apple Final Cut Pro 6.0.6
 7.0 (7.0 is required for edit-while-ingest on Omneon)
 QuickTime 7.6.2
 XDCAM Transfer v2.9.0 or later
Minimum Hardware Specifications:
Intel 1.83 GHz Core 2 Duo
2 GB of RAM
GPU: Proxy Only &#8211; Intel 950 or greater
18, 25, 35, 50 Mbps &#8211; same GPU requirements as FCP
See below for more information about Cinemon &#8211; OMV1  trial download and pricing.
http://bit.ly/EX1madeEZ




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		<title>Sony EX1 Video Camera Training Courses For 2010</title>
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		<pubDate>Sun, 27 Dec 2009 08:00:23 +0000</pubDate>
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		<guid isPermaLink="false">http://www.hd-productions.biz/wp/?p=607</guid>
		<description><![CDATA[Planning to update your skills or upgrade your camera for 2010 and join part of the ever growing tapeless revolution. We can help you get up to speed and running quickly with courses and practical experience of these cameras..
HD Productions runs intensive 1 day and 2 day training courses using Sony Xdcam EX cameras. This [...]]]></description>
			<content:encoded><![CDATA[<div class="wp-caption alignnone" style="width: 250px"><img alt="Sony PMW EX1 Xdcam Ex High Definition Camcorder Training Model" src="http://farm4.static.flickr.com/3135/2635699182_07a0d1b5ef_m.jpg" title="Sony PMW EX1 Xdcam Ex High dEfinition Camcorder" width="240" height="160"><p class="wp-caption-text">Sony PMW EX1 Xdcam Ex High Definition Camcorder Training Model</p></div>
<p>Planning to update your skills or upgrade your camera for 2010 and join part of the ever growing tapeless revolution. We can help you get up to speed and running quickly with courses and practical experience of these cameras..</p>
<p>HD Productions runs intensive 1 day and 2 day training courses using Sony Xdcam EX cameras. This provides a fast and easy way to learn the fundamentals and advanced features on the camcorder.</p>
<p>We show you how to master tapeless production workflow and recording for broadcast, event,filmmaking, documentary, corporate, webtv or IPTV sectors.</p>
<p>Our tuition covers all the operating and functions of the camera, from menu set-up options, shooting PAL/NTSC 1080/720, frame rates, formats, SXS card management and examine the many inbuilt options that will aid in your production.</p>
<div class="wp-caption alignnone" style="width: 310px"><img alt="Sony SxS cards for the EX1/EX3/EX1R and 350" src="http://upload.wikimedia.org/wikipedia/en/thumb/2/24/SxS.jpg/300px-SxS.jpg" title="SXS cards for XDcam EX" width="300" height="149" /><p class="wp-caption-text">Sony SxS cards for the EX1/EX3/EX1R and 350</p></div>
<p>This training is ideal for previous owners of Sony cameras and other video tape based camera used wanting to upgrade or update their camera knowledge, video productions units or filmmakers migrating to high definition tapeless workflow, will also suit new users, hirers wanting more familiarity and hands on user experience. </p>
<p>We are can also prepare you for working with the New Sony NXCAM Format and as well.</p>
<p><strong> </strong></p>
<p><strong></p>
<li>Brief summary cover some aspects in the course.</li>
<li>Overview of the EX1</li>
<li>Manual vs Automatic operation features</li>
<li>Controlling Exposure</li>
<li>Slow Motion &amp; Shutter controls</li>
<li>Backups, archiving and storage options</li>
<li>Manual vs Automatic operation</li>
<p></strong></p>
<p><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="500" height="315" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><param name="src" value="http://www.youtube.com/v/1fXuqd2TpfE&amp;hl=en&amp;fs=1&amp;rel=0&amp;color1=0x3a3a3a&amp;color2=0x999999&amp;border=1"><param name="allowfullscreen" value="true"><embed type="application/x-shockwave-flash" width="500" height="315" src="http://www.youtube.com/v/1fXuqd2TpfE&amp;hl=en&amp;fs=1&amp;rel=0&amp;color1=0x3a3a3a&amp;color2=0x999999&amp;border=1" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<p>Please view our card management guide this can be found at<br />
<a href="http://www.hd-productions.biz/wp/sony-xdcam-ex-camera-training-course-handout/">http://www.hd-productions.biz/wp/sony-xdcam-ex-camera-training-course-handout/</a></p>
<p>We can also offer training on the JVC HM 100 and HM 700<br />
<div class="wp-caption alignnone" style="width: 440px"><img alt="JVC high definition HM 700 shoulder mount" src="http://www.itechnews.net/wp-content/uploads/2009/02/jvc-prohd-gy-hm700-professional-camcorder-1.jpg" title="JVC high definition HM 700 shoulder mount" width="430" height="316" /><p class="wp-caption-text">JVC high definition HM 700 shoulder mount</p></div></p>
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<form id="vozme_form_d1e8ea3e386ce30584919b6ada4cca52" method="post" name="vozme_form_d1e8ea3e386ce30584919b6ada4cca52" target="d1e8ea3e386ce30584919b6ada4cca52" action="http://vozme.com/text2voice.php"><input name="text" type="hidden" value="Sony EX1 Video Camera Training Courses For 2010.. [/caption]
Planning to update your skills or upgrade your camera for 2010 and join part of the ever growing tapeless revolution. We can help you get up to speed and running quickly with courses and practical experience of these cameras..
HD Productions runs intensive 1 day and 2 day training courses using Sony Xdcam EX cameras. This provides a fast and easy way to learn the fundamentals and advanced features on the camcorder.
We show you how to master tapeless production workflow and recording for broadcast, event,filmmaking, documentary, corporate, webtv or IPTV sectors.
Our tuition covers all the operating and functions of the camera, from menu set-up options, shooting PAL/NTSC 1080/720, frame rates, formats, SXS card management and examine the many inbuilt options that will aid in your production.
[caption id=&quot;&quot; align=&quot;alignnone&quot; width=&quot;300&quot; caption=&quot;Sony SxS cards for the EX1/EX3/EX1R and 350&quot;]
This training is ideal for previous owners of Sony cameras and other video tape based camera used wanting to upgrade or update their camera knowledge, video productions units or filmmakers migrating to high definition tapeless workflow, will also suit new users, hirers wanting more familiarity and hands on user experience. 
We are can also prepare you for working with the New Sony NXCAM Format and as well.
 

Brief summary cover some aspects in the course.
Overview of the EX1
Manual vs Automatic operation features
Controlling Exposure
Slow Motion &amp; Shutter controls
Backups, archiving and storage options
Manual vs Automatic operation


Please view our card management guide this can be found at
http://www.hd-productions.biz/wp/sony-xdcam-ex-camera-training-course-handout/
We can also offer training on the JVC HM 100 and HM 700
[/caption]




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		<title>Sony-EX1/EX3-xdcamex HD camera-training updated</title>
		<link>http://www.hd-productions.biz/wp/sony-ex1ex3-xdcamex-hd-camera-training-updated/</link>
		<comments>http://www.hd-productions.biz/wp/sony-ex1ex3-xdcamex-hd-camera-training-updated/#comments</comments>
		<pubDate>Thu, 06 Aug 2009 20:30:13 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://www.hd-productions.biz/wp/?p=459</guid>
		<description><![CDATA[



Image by kino-eye via Flickr



HD Production tapeless video training and seminar handout.
Sony PMW EX1/EX3 XDcamEX powerpoint training material updated as for seminars,workshops and courses. Ideal for Sony EX1 or EX3 users, owners or hirers. Simple reference for end user on managing their card settings and how to maintain format options, for easier tapeless video production [...]]]></description>
			<content:encoded><![CDATA[<div class="zemanta-img" style="margin:1em;display:block">
<div>
<dl class="wp-caption alignright" style="width: 250px; ">
<dt class="wp-caption-dt"><a href="http://www.flickr.com/photos/83245449@N00/2635700654"><img src="http://farm4.static.flickr.com/3274/2635700654_7a73701688_m.jpg" alt="Sony EX1-65.jpg" title="Sony EX1-65.jpg" width="240" height="160"></a></dt>
<dd class="wp-caption-dd zemanta-img-attribution" style="font-size:0.8em">Image by <a href="http://www.flickr.com/photos/83245449@N00/2635700654">kino-eye</a> via Flickr</dd>
</dl>
</div>
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<p>HD Production tapeless video training and seminar handout.</p>
<p>Sony PMW EX1/EX3 XDcamEX powerpoint training material updated as for seminars,workshops and courses. Ideal for Sony EX1 or EX3 users, owners or hirers. Simple reference for end user on managing their card settings and how to maintain format options, for easier tapeless video production workflow management. </p>
<p>This updated powerpoint deals with disk formatting to maintain drive name integrity and the correct method for file deletion to avoid wiping the disk back to it&#8217;s original state.</p>
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<p>Information suitable for RED One, Panasonic P2 or JVC HM100/HM700 users as well.</p>
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HD Production tapeless video training and seminar handout.
Sony PMW EX1/EX3 XDcamEX powerpoint training material updated as for seminars,workshops and courses. Ideal for Sony EX1 or EX3 users, owners or hirers. Simple reference for end user on managing their card settings and how to maintain format options, for easier tapeless video production workflow management. 
This updated powerpoint deals with disk formatting to maintain drive name integrity and the correct method for file deletion to avoid wiping the disk back to it&#8217;s original state.
Sony-EX1/EX3-xdcam-training sxs update and tapeless card management information
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Information suitable for RED One, Panasonic P2 or JVC HM100/HM700 users as well.




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		<title>Aussie-wizards-create-next-generation-dvds/</title>
		<link>http://www.hd-productions.biz/wp/aussie-wizards-create-next-generation-dvds/</link>
		<comments>http://www.hd-productions.biz/wp/aussie-wizards-create-next-generation-dvds/#comments</comments>
		<pubDate>Sun, 05 Jul 2009 08:03:41 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<description><![CDATA[Futuristic discs with a storage capacity 2,000 times that of current DVDs could be just around the corner, thanks to new research from Swinburne University of Technology.
For the first time researchers from the university’s Centre for Micro-Photonics have demonstrated how nanotechnology can enable the creation of ‘five dimensional’ discs with huge storage capacities.
The research, carried [...]]]></description>
			<content:encoded><![CDATA[<p>Futuristic discs with a storage capacity 2,000 times that of current DVDs could be just around the corner, thanks to new research from Swinburne University of Technology.</p>
<p>For the first time researchers from the university’s Centre for Micro-Photonics have demonstrated how nanotechnology can enable the creation of ‘five dimensional’ discs with huge storage capacities.</p>
<p>The research, carried out by Mr Peter Zijlstra, Dr James Chon and Professor Min Gu was published today in the scientific journal Nature.</p>
<p>The Nature article describes how the researchers were able to use nanoscopic particles to exponentially increase the amount of information contained on a single disc.</p>
<p>“We were able to show how nanostructured material can be incorporated onto a disc in order to increase data capacity, without increasing the physical size of the disc,” Gu said.</p>
<p>Discs currently have three spatial dimensions, but using nanoparticles the Swinburne researchers were able to introduce a spectral – or colour – dimension as well as a polarisation dimension.</p>
<p>“These extra dimensions are the key to creating ultra-high capacity discs,” Gu said.</p>
<p>To create the ‘colour dimension’ the researchers inserted gold nanorods onto a disc’s surface. Because nanoparticles react to light according to their shape, this allowed the researchers to record information in a range of different colour wavelengths on the same physical disc location.</p>
<p>This is a major improvement on current DVDs that are recorded in a single colour wavelength using a laser.</p>
<p>The researchers were also able to introduce an extra dimension onto the disc using polarisation. When they projected light waves onto the disc, the direction of the electric field contained within them aligned with the gold nanorods. This allowed the researchers to record different layers of information at different angles.</p>
<p>“The polarisation can be rotated 360 degrees,” Chon said. “So for example, we were able to record at zero degree polarisation. Then on top of that, we were able to record another layer of information at 90 degrees polarisation, without them interfering with each other.”</p>
<p>Some issues, such as the speed at which the discs can be written on, are yet to be resolved. However the researchers are confident the discs will be commercially available within 5 – 10 years.</p>
<p>The discs are likely to have immediate applications in a range of fields. They would be valuable for storing extremely large medical files such as MRIs and could also provide a boon in the financial, military and security arenas.</p>
<p>The researchers’ ground breaking achievements would not have been possible without the long time support of the Australian Research Council.</p>
<p>Source:<br />
<a href="http://www.swinburne.edu.au/corporate/marketing/mediacentre/core/releases_article.php?releaseid=1330">http://www.swinburne.edu.au/corporate/marketing/mediacentre/core/releases_article.php?releaseid=1330</a></p>
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<form id="vozme_form_6718c8ee703acd0fc174a028daa6ca24" method="post" name="vozme_form_6718c8ee703acd0fc174a028daa6ca24" target="6718c8ee703acd0fc174a028daa6ca24" action="http://vozme.com/text2voice.php"><input name="text" type="hidden" value="Aussie-wizards-create-next-generation-dvds/.. Futuristic discs with a storage capacity 2,000 times that of current DVDs could be just around the corner, thanks to new research from Swinburne University of Technology.
For the first time researchers from the university’s Centre for Micro-Photonics have demonstrated how nanotechnology can enable the creation of ‘five dimensional’ discs with huge storage capacities.
The research, carried out by Mr Peter Zijlstra, Dr James Chon and Professor Min Gu was published today in the scientific journal Nature.
The Nature article describes how the researchers were able to use nanoscopic particles to exponentially increase the amount of information contained on a single disc.
“We were able to show how nanostructured material can be incorporated onto a disc in order to increase data capacity, without increasing the physical size of the disc,” Gu said.
Discs currently have three spatial dimensions, but using nanoparticles the Swinburne researchers were able to introduce a spectral – or colour – dimension as well as a polarisation dimension.
“These extra dimensions are the key to creating ultra-high capacity discs,” Gu said.
To create the ‘colour dimension’ the researchers inserted gold nanorods onto a disc’s surface. Because nanoparticles react to light according to their shape, this allowed the researchers to record information in a range of different colour wavelengths on the same physical disc location.
This is a major improvement on current DVDs that are recorded in a single colour wavelength using a laser.
The researchers were also able to introduce an extra dimension onto the disc using polarisation. When they projected light waves onto the disc, the direction of the electric field contained within them aligned with the gold nanorods. This allowed the researchers to record different layers of information at different angles.
“The polarisation can be rotated 360 degrees,” Chon said. “So for example, we were able to record at zero degree polarisation. Then on top of that, we were able to record another layer of information at 90 degrees polarisation, without them interfering with each other.”
Some issues, such as the speed at which the discs can be written on, are yet to be resolved. However the researchers are confident the discs will be commercially available within 5 – 10 years.
The discs are likely to have immediate applications in a range of fields. They would be valuable for storing extremely large medical files such as MRIs and could also provide a boon in the financial, military and security arenas.
The researchers’ ground breaking achievements would not have been possible without the long time support of the Australian Research Council.
Source:
http://www.swinburne.edu.au/corporate/marketing/mediacentre/core/releases_article.php?releaseid=1330



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		<title>Moving from Tape to Tapeless Part 2</title>
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		<pubDate>Sat, 04 Jul 2009 09:46:21 +0000</pubDate>
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		<description><![CDATA[High Definition Tapeless Video Workflow &#8211; Moving from Tape to Tapeless Part 2
Entry/Audience requirements
Aimed at and suitable for Directors, Producers, Camera assistants, editors, edit assistants and independent freelancers and production companies, incorporating Tape and tapeless formats example will be based on Sony Ex1 and Z1, but can apply Panasonic and  JVC owners or users. 
High Definition Tapeless [...]]]></description>
			<content:encoded><![CDATA[<p style="margin-top: 15px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; padding: 0px;"><strong>High Definition Tapeless Video Workflow &#8211; Moving from Tape to Tapeless Part 2</strong></p>
<p style="margin-top: 15px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; padding: 0px;"><strong>Entry/Audience requirements</strong></p>
<p style="margin-top: 15px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; padding: 0px;">Aimed at and suitable for Directors, Producers, Camera assistants, editors, edit assistants and independent freelancers and production companies, incorporating Tape and tapeless formats example will be based on Sony Ex1 and Z1, but can apply Panasonic and  JVC owners or users. </p>
<p style="margin-top: 15px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; padding: 0px;">High Definition Tapeless Video Workflow. &#8211; Moving from Tape to Tapeless follow up</p>
<p style="margin-top: 15px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; padding: 0px;">Issues regarding editing, production, hardware, storage, archiving of productions and media asset management. Financial impact on production and post-production costs.</p>
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Entry/Audience requirements
Aimed at and suitable for Directors, Producers, Camera assistants, editors, edit assistants and independent freelancers and production companies, incorporating Tape and tapeless formats example will be based on Sony Ex1 and Z1, but can apply Panasonic and  JVC owners or users. 
High Definition Tapeless Video Workflow. &#8211; Moving from Tape to Tapeless follow up
Issues regarding editing, production, hardware, storage, archiving of productions and media asset management. Financial impact on production and post-production costs.



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		<title>Moving from Tape to Tapeless Part 1</title>
		<link>http://www.hd-productions.biz/wp/moving-from-tape-to-tapeless-part-1/</link>
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		<pubDate>Sat, 04 Jul 2009 09:04:37 +0000</pubDate>
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		<description><![CDATA[High Definition Tapeless Video Workflow - Moving from Tape to Tapeless Part 1
Entry/Audience requirements
Aimed at and suitable for Directors, Producers, Camera assistants, editors, edit assistants and independent freelancers and production companies. Incorporating tape and tapeless formats example will be based on Sony Ex1 and Z1, but can apply Panasonic and JVC owners or users. 
 
Course descriptionAimed at those wanting [...]]]></description>
			<content:encoded><![CDATA[<p style="margin-top: 15px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; padding: 0px;"><strong style="padding: 0px; margin: 0px;">High Definition Tapeless Video Workflow - <strong style="color: black; background-color: #99ff99; padding: 0px; margin: 0px;">Moving from Tape</strong> to Tapeless Part 1</strong></p>
<p style="margin-top: 15px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; padding: 0px;"><strong style="padding: 0px; margin: 0px;">Entry/Audience requirements</strong></p>
<p style="margin-top: 15px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; padding: 0px;">Aimed at and suitable for Directors, Producers, Camera assistants, editors, edit assistants and independent freelancers and production companies. Incorporating tape and tapeless formats example will be based on Sony Ex1 and Z1, but can apply Panasonic and JVC owners or users. </p>
<p style="margin-top: 15px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; padding: 0px;"> </p>
<p style="margin-top: 15px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; padding: 0px;"><strong style="padding: 0px; margin: 0px;">Course description</strong><br style="padding: 0px; margin: 0px;" />Aimed at those wanting to use or integrate non tape recording formats in video production. This course will be based around Sony EX1 but will cover Panasonic P2, Red camera and other tapeless options. Final cut pro based by will include information for Avid and Premiere users as well.</p>
<p style="margin-top: 15px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; padding: 0px;"> </p>
<p style="margin-top: 15px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; padding: 0px;">For more information drop leave a message or give us a call.</p>
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Aimed at and suitable for Directors, Producers, Camera assistants, editors, edit assistants and independent freelancers and production companies. Incorporating tape and tapeless formats example will be based on Sony Ex1 and Z1, but can apply Panasonic and JVC owners or users. 
 
Course descriptionAimed at those wanting to use or integrate non tape recording formats in video production. This course will be based around Sony EX1 but will cover Panasonic P2, Red camera and other tapeless options. Final cut pro based by will include information for Avid and Premiere users as well.
 
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		<title>University research supersizes DVD with 2000 film capacity</title>
		<link>http://www.hd-productions.biz/wp/university-research-supersizes-dvd-with-2000-film-capacity/</link>
		<comments>http://www.hd-productions.biz/wp/university-research-supersizes-dvd-with-2000-film-capacity/#comments</comments>
		<pubDate>Fri, 03 Jul 2009 01:21:50 +0000</pubDate>
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		<description><![CDATA[Swinburne University in Australia, has research that leads to DVD&#8217;s storing 2000 movies, this great dealing with issues of archiving, storage of video related material as the industry is increasing using tapleless formats and backup, media asset management and retrieval our key to success in handling large volumes of data relevant to the media, government [...]]]></description>
			<content:encoded><![CDATA[<p>Swinburne University in Australia, has research that leads to DVD&#8217;s storing 2000 movies, this great dealing with issues of archiving, storage of video related material as the industry is increasing using tapleless formats and backup, media asset management and retrieval our key to success in handling large volumes of data relevant to the media, government and entertainment sector.</p>
<p>This seems good news for those who either manage or administrate data migration policies to future proof material and were wondering if Blu-ray was the only large format optical storage option available.</p>
<p>The research, carried out by Mr Peter Zijlstra, Dr James Chon and Professor Min Gu was published in the scientific journal Nature. In the article it describes how the researchers were able to use nanoscopic particles to exponentially increase the amount of information contained on a single disc.</p>
<p>The researchers were also able to introduce an extra dimension onto the disc using polarisation. When they projected light waves onto the disc, the direction of the electric field contained within them aligned with the gold nanorods. This allowed the researchers to record different layers of information at different angles.</p>
<p>“The polarisation can be rotated 360 degrees,” Chon said. “So for example, we were able to record at zero degree polarisation. Then on top of that, we were able to record another layer of information at 90 degrees polarisation, without them interfering with each other.”</p>
<p>Some issues, such as the speed at which the discs can be written on, are yet to be resolved. However the researchers are confident the discs will be commercially available within 5 – 10 years.</p>
<p>The discs are likely to have immediate applications in a range of fields. They would be valuable for storing extremely large medical files such as MRIs and could also provide a boon in the financial, military and security arenas.</p>
<p>Taken from Swinburne Media centre press release.<br />
<a href="http://www.swinburne.edu.au/corporate/marketing/mediacentre/core/releases_article.php?releaseid=1330">http://www.swinburne.edu.au/corporate/marketing/mediacentre/core/releases_article.php?releaseid=1330</a></p>
<p>Nature article<br />
<a href="http://www.nature.com/nature/journal/v459/n7245/full/nature08053.html">http://www.nature.com/nature/journal/v459/n7245/full/nature08053.html<br />
</a></p>
<p>For the techies and geeks you can send correspondence to: James W. M. Chon1 Correspondence and requests for materials should be addressed to J.W.M.C. (Email: JChon@groupwise.swin.edu.au), to find out about the &#8220;Five-dimensional optical recording mediated by surface plasmons in gold nanorods&#8221; that make all this possible.</p>
<p>http://www.nature.com/nature/journal/v459/n7245/full/nature08053.html</p>
<p><a href="http://www.swinburne.edu.au/corporate/marketing/mediacentre/core/releases_article.php?releaseid=1330">http://www.swinburne.edu.au/corporate/marketing/mediacentre/core/releases_article.php?releaseid=1330</a></p>
<p>Great to hear your views and thoughts on this.</p>
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<form id="vozme_form_bedfed8425ab5b750c382a265ba78aa9" method="post" name="vozme_form_bedfed8425ab5b750c382a265ba78aa9" target="bedfed8425ab5b750c382a265ba78aa9" action="http://vozme.com/text2voice.php"><input name="text" type="hidden" value="University research supersizes DVD with 2000 film capacity.. Swinburne University in Australia, has research that leads to DVD&#8217;s storing 2000 movies, this great dealing with issues of archiving, storage of video related material as the industry is increasing using tapleless formats and backup, media asset management and retrieval our key to success in handling large volumes of data relevant to the media, government and entertainment sector.
This seems good news for those who either manage or administrate data migration policies to future proof material and were wondering if Blu-ray was the only large format optical storage option available.
The research, carried out by Mr Peter Zijlstra, Dr James Chon and Professor Min Gu was published in the scientific journal Nature. In the article it describes how the researchers were able to use nanoscopic particles to exponentially increase the amount of information contained on a single disc.
The researchers were also able to introduce an extra dimension onto the disc using polarisation. When they projected light waves onto the disc, the direction of the electric field contained within them aligned with the gold nanorods. This allowed the researchers to record different layers of information at different angles.
“The polarisation can be rotated 360 degrees,” Chon said. “So for example, we were able to record at zero degree polarisation. Then on top of that, we were able to record another layer of information at 90 degrees polarisation, without them interfering with each other.”
Some issues, such as the speed at which the discs can be written on, are yet to be resolved. However the researchers are confident the discs will be commercially available within 5 – 10 years.
The discs are likely to have immediate applications in a range of fields. They would be valuable for storing extremely large medical files such as MRIs and could also provide a boon in the financial, military and security arenas.
Taken from Swinburne Media centre press release.
http://www.swinburne.edu.au/corporate/marketing/mediacentre/core/releases_article.php?releaseid=1330
Nature article
http://www.nature.com/nature/journal/v459/n7245/full/nature08053.html

For the techies and geeks you can send correspondence to: James W. M. Chon1 Correspondence and requests for materials should be addressed to J.W.M.C. (Email: JChon@groupwise.swin.edu.au), to find out about the &#8220;Five-dimensional optical recording mediated by surface plasmons in gold nanorods&#8221; that make all this possible.
http://www.nature.com/nature/journal/v459/n7245/full/nature08053.html
http://www.swinburne.edu.au/corporate/marketing/mediacentre/core/releases_article.php?releaseid=1330
Great to hear your views and thoughts on this.



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